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Nosferatu the Vampire
A rock operaReviews
Kent
and Sussex Courier
The vigorous,
wide-ranging music of Nosferatu resembles a lusty love-child of a blood
wedding between Carmina Burana and Les Miserables, orchestrated and performed
with an onward driving force which almost recalls Bernstein in its
progressive, narrative energy. Taylor may be about to achieve for vampires
something of what Speilberg did for dinosaurs – sweeping away the
prettied-up, sanitised versions recently acceptable and reminding people that
they would be dangerous, life-threatening things to have around. The song
"And Sheep Shall Not Safely Graze" achieves this to considerable
chilling effect.
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