Nosferatu the Vampire
A rock opera
Introduction
by
Bernard J Taylor
The vampire in Nosferatu is a much more tragic figure than the
creature generally portrayed in the countless Dracula films and other cinematic
portrayals of vampires that followed. I have taken two basic elements - the tragic and the
redemptive - and embroidered on them considerably, taking the story as
far as possible from the Dracula that most people have come to know. I
have avoided any reference to "Dracula" and the creature is referred
to only by the name "Nosferatu".
The most significant difference between my version and
others of this tale is that the vampire dies because, like Galahad discovering
the Holy Grail in the Arthurian legend, he wants to die at this
point, for life no longer holds anything more for him. In effect he is
redeemed by the purity of Mina, who is willing to sacrifice herself for
the sake of others.
I have given him the background of a man who began his
adult life as a scientist and philosopher, the product of a noble household,
who became cynical and disillusioned when he failed to find any meaning
to his life.
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